Review of Italian Master Drawings at the Philadelphia Museum of Art. Ann 
    Percy and Mimi Cazort. University Park: Pennsylvania State University Press, 2004. The Sixteenth Century Journal 37 (2006): 887 - 88.
   
  "`I�m the same Cornelia I�ve always been�: Reading Cornelia Collonello�s Letters
  to Michelangelo." Women's Letters Across Europe, 1400-1700: Form and Persuasion. Ed. Jane Couchman and Ann Crabb. Aldershot & Burlington, VT: Ashgate Publishing. 2005.

Award from the Society for the Study of Early Modern Womenfor a Collaborative Work/Collection published in 2005

   
  Review of Caroline P. Murphy. Lavinia Fontana: A Painter and her Patrons in 
  Sixteenth-century Bologna. New Haven: Yale University Press, 2003. The
  Sixteenth Century Journal 35 (2004): 317 - 18.
   
  "Sonno quel Cornelia che sempre son stata: La corrispondenza epistolare di
  Cornelia Collonello con Michelangelo" [`I am the same Cornelia I have always been�: The Epistolary Correspondence between Cornelia Collonello and Michelangelo]. Atti del convegno internazionale: I Della Rovere nell�Italia delle Corti. Vol. III Cultura e Letteratura. Urbino: Edizioni QuattroVenti, 2002. 51 - 61.
   
  "Conference Report on International Conference I della Rovere nell'Italia
  delle Corti, Urbania Italy, 16-19 September 1999." Bulletin of the Society for Renaissance Studies 18 (October 2000): 33 - 34.
   
  Review of A. Moskowitz. The Sculpture of Andrea and Nino Pisano [Princeton,
  NJ: Princeton University Press, 1986.]. Speculum,64 (1989): 468 - 71.
   
  Review of R. Munman. Optical Corrections in the Sculpture of Donatello
  [Transactions of the American Philosophical Society 75 (1985).]. Speculum 62 (1987): 455 - 56.
   
  "Fatte sembianza di pittura: Jacopo Sansovino's Bronze Reliefs in San
  Marco." Art Bulletin 64 (1982): 370 - 88.
   
  Jacques Lipchitz and Cubism. New York: Garland Publishing, 1978.
  In Garland Publishing series "Outstanding Dissertations in the Fine Arts."