Fall 2010
AMS 3300 - CV Honors
Tues. & Thurs. 1 - 2:15 p.m.
GC1.208B American
Popular Culture: The Cold War
This course examines American
culture through some of its most popular cultural forms�best-selling novels,
magazines, advertising, television, Hollywood films, sports, and popular
music. Although we will make connections between the present and the past,
the course is focused specifically on the popular culture of the Cold War
(mainly 1950s and 1960s) through Hollywood films, pulp novels, best-selling
self-help books, television sit-coms and early rock music. We will consider
such topics as: norms about gender and sexuality; the post-War religious
revival and its co-existence with increasingly secular ways of being in the
world; the Cold War and efforts to contain communism abroad; race and early
civil rights activity; class and consumption in burgeoning suburbs.
Learning
Objectives:
-
Students will
be able to analyze selected works of American literature closely.
-
Students will compare/contrast the representations of
gender and/or race from texts assigned for the course.
-
Students will be able to describe the history behind
contemporary social, political, and cultural debates, and become
educated participants in those debates.
Texts:
Mickey Spillane, One Lonely Night (1951) |
Norman Vincent Peale, Power of Positive Thinking
(1952) |
Sloan Wilson, Man in the Gray Flannel Suit
(1955) |
Valerie Taylor, The Girls in 3-B (1959) |
Lynn Spigel, Make Room for TV: Television and the
Family Ideal in Post-War America (1992) |
Elaine Tyler May, Homeward Bound: American Families
in the Cold-War Era (2008) |
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All texts are available at
Off-Campus Books, the UTD Bookstore and Stanza Books. 13 readings on e-reserve available at:
http://utdallas.docutek.com/eres/coursepage.aspx?cid=877
|
Additional course materials
available on my website www.utdallas.edu/~erins
Course Schedule:
Thurs. 19 Aug. |
Intro. to Course |
|
Introduction to the Study of Popular
Culture |
Tues. 24 Aug. |
John Fiske, chap. 23, "Popular
Culture" in Critical Terms for Literary Study, 2d ed. Ed. Frank Lentricchia
and Thomas McLaughlin (Chicago: U of Chicago P, 1995): 321-35 (e-reserve). |
Thurs. 26 Aug. |
Clifford Geertz, "Deep Play: Notes on the
Balinese Cockfight," in Rethinking Popular Culture: Contemporary Perspectives in
Cultural Studies. Eds. Chandra Mukerji and Michael Schudson (Berkeley: U of
California P, 1991): 239-77 (e-reserve). |
|
Conformity and
Its Discontents: Domesticity, the Suburbs & the Organization Man |
Tues. 31 Aug. |
May,
Homeward Bound, Introduction (1-18); chap. 1 �Containment at Home:
Cold War, Warm Hearth� (19-38); and chap. 7 �The Commodity Gap:
Consumerism and the Modern Home� (153-73)
|
**Thurs. 2 Sept. |
Wilson,
Man in the Gray Flannel Suit, chap. 1-20 (1-143)
|
Tues. 7 Sept. |
Wilson,
Man in the Gray Flannel Suit, chap. 21-41 (144-276)
|
|
Early
Television: Audiences, Consumers, and Communities |
Thurs. 9 Sept. |
Spigel,
Make Room for TV, chap.2 (36�72)
|
**Tues. 14 Sept.
|
Spigel,
Make Room for TV, chap. 3-4 (73-135)
|
Thurs. 16 Sept. |
Spigel,
Make Room for TV, chap. 5 (136-180)
I Love
Lucy episode, "Pioneer
Women"-- in
-class screening |
|
"The Cult of
Reassurance": Religion in Cold-War America |
Tues. 21 Sept. |
Paul
Hutchinson, �Have We a �New� Religion?� Life 11 April 1955, 140+
(e-reserve).
James
Gilbert, chap. 6 ��My Answer�: Billy Graham and Male Conversions�
(106-134) in Men in the Middle: Searching for Masculinity in the
1950s (Chicago: U of Chicago P, 2005) (e-reserve). |
**Thurs. 23 Sept.
|
Peale,
Power of Positive Thinking, preface-chap. 8 (viii-114)
|
Tues. 28 Sept. |
Peale,
Power of Positive Thinking, chap. 9-epilogue (115-225)
|
Thurs. 30 Sept. |
NO CLASS |
Tues. 5 Oct. |
Midterm Exam --
Bring a Blue Book |
|
Commies,
Queers, and Other Subversives: Trash Fiction |
Thurs. 7 Oct. |
May,
Homeward Bound, chap. 4 �Explosive Issues: Sex, Women, and the
Bomb" (89-108)
Sean
McCann, chap. 4, �Letdown Artists: Paperback Noir and the Procedural
Republic� (198-250) in Gumshoe America: Hard-Boiled Crime Fiction
and the Rise and Fall of New Deal Liberalism (Durham: Duke UP, 2000)
(e-reserve)
|
**Tues. 12 Oct. |
Spillane, One Lonely Night, chap. 1-6 (1-99)
|
Thurs. 14 Oct.
|
Spillane, One Lonely Night, chap. 7-11 (100-174)
|
Tues. 19 Oct. |
Yvonne
Keller, ��Was It Right to Love Her Brother�s Wife So Passionately?�:
Lesbian Pulp Novels and U. S. Lesbian Identity, 1950-1965,� American
Quarterly 57.2 (June 2005): 385-410 (e-reserve).
Lillian
Faderman, chap. 5, ��Naked Amazons and Queer Damozels�: World War II
and Its Aftermath� (118-38) and chap. 6, "'The Love that Dares Not Speak
Its Name" (139-58) in Odd Girls and Twilight Lovers: A
History of Lesbian Life in Twentieth-Century America (New York:
Penguin, 1991) (e-reserve).
|
**Thurs. 21 Oct. |
Taylor,
The Girls in 3-B, foreword-chap.14 (v-107) |
Tues. 26 Oct. |
Taylor,
The Girls in 3-B, chap. 15-afterword (107-206)
|
|
On the
Origins of Rock and Roll: the Politics of Gender, Class, and Race |
**Thurs. 28 Oct. |
George Lipsitz, chap. 5, "Against the Wind:
Dialogic Aspects of Rock and Roll" (99-132) in Time Passages: Collective Memory
and American Popular Culture (Minneapolis: U of Minnesota P, 1990) (e-reserve). |
**Tues. 2 Nov. |
Nelson George, chap. 3, "The New Negro
(1950-1965)" (59-93) in The Death of Rhythm & Blues
(New York: Pantheon, 1988) (e-reserve).
|
**Thurs. 4 Nov.
|
Cold War
Popular Culture Paper Due -- brief in-class presentations Susan Douglas, chap. 4, "Why the Shirelles Mattered" (83-98) in Where the
Girls Are: Growing Up Female with the Mass Media (New York: Times, 1994) (e-reserve).
|
**Tues. 9 Nov. |
Penny Von Eschen,
chap. 3, �The Real Ambassador� (58-91) in Satchmo Blows Up the
World: Jazz Ambassadors Play the Cold War (Cambridge: Harvard UP,
2004) (e-reserve).
|
|
Spectator
Sports: Bodies and Culture |
**Thurs. 11 Nov. |
Randy
Roberts, �The Wide World of Muhammad Ali: The Politics and Economics of
Televised Boxing� (24-53) in Muhammad Ali, the People�s Champ,
ed. Elliott J. Gorn (Urbana: U of Illinois P, 1995) (e-reserve).
|
|
Exporting "the
American Way": Hollywood Film at Home and Abroad |
Tues. 16 Nov. |
Christina Klein, chap. 5 �Musicals and Modernization: The King and I�
(191-222) in Cold War Orientalism: Asia in the Middlebrow
Imagination, 1945-61 (Berkeley: U of California P, 2003)
(e-reserve).
|
Thurs. 18 Nov. |
NO CLASS / outside
class screening of King and I / time TBA |
Tues. 23 Nov. |
Discuss King
and I |
Thurs. 25 Nov. |
Thanksgiving - No
Class |
Tues. 30 Nov. |
Contemporary
Popular Culture Papers Due / Class Presentations |
Thurs. 2 Dec. |
Wrap-up / Final
Exam Questions Out / Evaluations |
Thurs. 9 Dec. |
Take-Home Final
Exam due in my office by 5:00 p.m. |
Course Requirements
Attendance and participation -- You are expected to come to class prepared for
discussion. Your participation includes not only expressing your own ideas, but also the
respect and seriousness with which you treat the ideas of your colleagues.
Presentation -- You and a partner are responsible for getting
discussion of the day�s reading started once during the semester. You
should meet in advance and plan the background, issues, passages to
examine closely, and questions you want to bring to the class.
Presentations will be the first 10 minutes of class, although discussion
of questions may run much longer. You will distribute to everyone a
single hand-out you jointly produce with 3-5 questions for us to address
at the start of class. Classes available for student presenters are
marked with a ** on the syllabus.
Reading Question Write-Ups � Six times over the course of
the semester, you will hand in a one-page (MAX) typed response to questions
about the reading. Goal is to (1) prove you�ve done
the reading; and (2) show some thoughtful consideration of the issues or
questions it raises. These are reaction papers vs. more formal writing. If
you spend more than 20-30 minutes writing, you are working too hard. I will post prompts on my website
for each day's reading. You may feel free to add thoughts/questions to
these. You must hand in 3 of these by Thurs. 7 Oct.
They are due on the day we discuss a reading. Late reading questions will
not be accepted. E-mailed and faxed questions will not be accepted.
I will not accept questions from students not present in class that day.
Midterm and Final Exams -- essay exams designed to
test your mastery of course readings and class discussion, and your ability
to synthesize the material and think critically about it. Midterm is
in-class on Tues. 5 Oct. Final exam is a take-home exam due in my office
at 5:00 p.m. on Thurs. 9 Dec.
Cold-War Popular Culture Paper (5-7 pages) � an analysis of
one Cold-War popular text using the terms and approaches from the
course. Requires outside research. Detailed handout to be
provided. Due Thurs. 4 Nov. at the start of class. Brief presentation to class required.
Contemporary Popular
Culture Paper (5-7 pages) � an analysis of some contemporary form of
popular culture with which you have some engagement. Uses approaches
from the course. Detailed handout to be provided. Due Tues. 30 Nov. at the start of class. Brief presentation to class required.
Grading Policy -- Your grade will be based on:
Cold-War Popular Culture Paper |
20% |
Contemporary Popular Culture Paper |
20% |
Midterm Exam |
20% |
Final Exam |
20% |
Presentation |
10% |
Reading Question Write-Ups |
10% |
You must complete all course requirements in order to pass the class
(e.g. if you do not hand in a paper, you will fail the class, even if the other grades
average out to a passing grade). Attendance and participation will be reflected in your
grade (i.e. it doesn't matter how well you do on the other things, if you regularly don't
show for class or don't participate). Anyone missing more than 8 classes
(for whatever reason) will fail the course. Habitual lateness, absences or failure to hand in a
paper on time will be reflected in your grade. Please consult me in the event of illness,
emergency, or other extenuating circumstances.
A NOTE ON CELL PHONES AND PAGERS - TURN THEM OFF!!! They are rude,
disruptive, and disrespectful to me and to your classmates.
Policy on Scholastic Dishonesty: I have a zero tolerance policy on cheating
and plagiarism. Students who violate University rules on scholastic
dishonesty are subject to disciplinary penalties, including the possibility
of failure in the course and/or dismissal from the University.
UNIVERSITY
POLICIES
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